Delta Flight 659

                    to Sean Penn

I’m writing this on a plane, Sean Penn,
with my black Pilot Razor ball point pen.
Ever since 9/11, I’m a nervous flyer.  I leave my Pentium
Processor in Florida so TSA can’t x-ray my stanzas, penetrate
my persona.  Maybe this should be in iambic pentameter,
rather than this mock sestina, each line ending in a Penn

variant.  I convinced myself the ticket to Baghdad was too expensive.
I contemplated going as a human shield.  I read, in open-
mouthed shock, that your trip there was a $56,000 expenditure.
Is that true?  I watched you on Larry King Live—his suspenders
and tie, your open collar.  You saw the war’s impending
mess.  My husband gambled on my penumbra

of doubt.  “So you station yourself at a food silo in Iraq.  What happens
to me if you get blown up?”  He begged me to stay home, be his Penelope.
I sit alone in coach, but last night I sat with four poets, depending
on one another as readers, in a Pittsburgh café.  I tried to be your pen
pal in 1987, not because of your pensive
bad boy looks, but because of a poem you’d penned

that appeared in an issue of Frank.  I still see the poet in you, Sean Penn.
You probably think fans like me are your penance
for your popularity, your star bulging into a pentagon
filled with witchy wanna-bes and penniless
poets who waddle towards your icy peninsula
of glamour like so many menacing penguins.

But honest, I come in peace, Sean Penn,
writing on my plane ride home.  I want no part of your penthouse
or the snowy slopes of your Aspen.
I won’t stalk you like the swirling grime cloud over Pig Pen.
I have no script or stupendous
novel I want you to option.  I even like your wife, Robin Wright Penn.

I only want to keep myself busy on this flight, to tell you of four penny-
loafered poets in Pennsylvania
who, last night, chomping on primavera penne
pasta, pondered poetry, celebrity, Iraq, the penitentiary
of free speech.  And how I reminded everyone that Sean Penn
once wrote a poem.  I peer out the window, caress my lucky pendant:

Look, Sean Penn, the clouds are drawn with charcoal pencils.
The sky is opening like a child’s first stab at penmanship.
The sun begins to ripen orange, then deepen.