Tom Sleigh
October 2007




The Breeze

                                                           
for Ed Robbins

Like code for a lover’s murmurings, MIA IED blew in
            on the breeze from some place other than the place
of  pleasure I remember, bower too far ever

to get back to now in the alphabet war war was waging...
            The language of that breeze was fluent, calming,
its coolness almost chill but hoarding July heat

that would turn the dunes to an abstract shimmer
            jets from the base would penetrate, disappearing
an instant before piercing through glare, wings

tilting sunlight toward flattening ocean,
            a TV on somewhere down the leafy lane shrilling
a siren the breeze altered, catching it up, softening it

to almost human keening, though for what or who
            the breeze wasn’t saying: how disjunct it felt, the breeze
blowing some memory of distant pleasure mingling

with pleasure now of a body next to mine—my weirdness
            of thinking, as the breeze cooled my flank, of my friend
putting on his helmet and Kevlar vest, fitting the Kevlar

with a lover’s gesture up between his legs so the family jewels
            would be locked away, and hearing him joking
this was the way the middle-aged of either sex ought always

to dress to go out to the bars, this was the way what
            the breeze wasn’t saying and what my friend was
by not saying it, this was the way the acronyms

MIA IED partook of the breeze’s other murky meanings—
            not saying what my friend would later show me,
all of it coming together so confusedly

but as if the breeze were words the acronyms
            spelled out before there were conditions to bring them
to the tongue rooting them in air, letter on letter

opening and flowering—oh come off it, fuck it, stop
            all this deployment of flowers and figures
to get around what was right there on the ground,

the glistering strangeness of it lying in the sun, skull cap
            blown off, thick black luxurious hair of a suicide
bomber, like a wig hung in a well-dressed window in one

of the salon-type places in an opulent mall, hair
            a breeze rippled ever so slightly, first this
hair, that, lifting, subsiding, the breeze stroking forelocks

and tresses that nestled on the shoulders minutes           
            before my friend took the video—that breeze was blowing
across desert and ocean all the way to here, if only

in my mind thinking to join that soughing to this feeling
            of naked flanks cooling after waking a few inches
away, breeze flowing in the space between

cooling that place I wanted to get back to when the poem began
            but will never enter except in words the breeze does
or doesn’t understand, Missing In Action, Improvised Explosive

Device taking on the aura of words the breeze spoke
            eons ago but before there was something like a war
to give them such repletion and ardor.



First publication in Threepenny Review
Collected in Space Walk, Houghton Mifflin, March 23, 2007.