Poet of the Month

<body link="#0000ff" vlink="#800080"> <font size="5"><p>Poet of the Month: Christopher Buckley</p> </font><p>Your browser does not support the frame format of this site. To view the site in a more conventional format, click <a href="contents.html">HERE</a>.</p> <p>Christopher Buckley was raised in Santa Barbara, CA and educated at St. Mary<font face="WP TypographicSymbols">'</font>s College, San Diego State University, and the University of California Irvine. He has taught at Fresno State University, Murray State University, KY, the University of California Santa Barbara, and West Chester University, PA. He is Professor and Chair of the Creative Writing Department at the University of California Riverside.</p> <p>His books of poetry are--<i>Last</i> <i>Rites</i>, l980, <i>Other Lives</i>, l985 (Ithaca House); <i>Dust Light</i>, <i>Leaves</i>, l986 and<i> Blossoms & Bones: On The Life and Work of Georgia O<font face="WP TypographicSymbols">'</font>Keeffe,</i> l988 (Vanderbilt Univ. Press); <i>Blue Autumn</i> (1990) and <i>Dark Matter</i> (1993) with Copper Beech Press of Brown University, and in 1994 Painted Hills Press published his seventh collection, <i>A Short History of Light,</i> as the wining entry in <i>Painted Hills Review</i><font face="WP TypographicSymbols">'</font>s first annual book contest. His 8th book, <i>Camino Cielo</i>, was published by Orchises Press in 1997. <i>Fall From Grace</i> will be published by Bk Mk Press of the University of Missouri-Kansas City in 1998.</p> <p>For his poetry he has received an NEA grant, a Fulbright Award in Creative Writing to Yugoslavia, an award from the W.B. Yeats Society, four Pushcart Prizes, two Pennsylvania Council on the Arts Grants, and he has twice received the Gertrude B. Claytor Memorial Award from the Poetry Society of America. For 1992-93 he was a Pew Fellowship in the Arts Disciplinary Winner in Poetry. Among other journals, his work has appeared in <i>The New Yorker</i>, <i>Antaeus,</i> <i>American Poetry Review,</i> <i>The Hudson Review,</i> <i>The Nation,</i> <i>The Iowa Review,</i> <i>New England Review, Gettysburg Review,</i> <i>Ploughshares,</i> <i>The Georgia Review,</i> <i>The Kenyon Review</i>, <i>Crazyhorse</i>, <i>Seneca Review</i>, <i>The Sewanee Review</i>, <i>Quarterly West</i>, <i>New Letters</i>, and <i>POETRY</i>. </p> <p>Buckley is the editor of <i>On The Poetry Of Philip Levine: Stranger To Nothing</i>, Univ. of Michigan Press, l99l, and, with Christopher Merrill, <i>What Will Suffice: Contemporary American Poets on the Art of Poetry</i>, Peregrine Smith Books, l995. For l991-l992, he was Poetry Editor for The Pushcart Prize, Vol. XVII. He is an Associate Editor for the journal, <i>POETRY INTERNATIONAL</i>.</p> <p>His criticism and reviews have appeared in<i> Crazyhorse,</i> <i>The Bloomsbury Review,</i> <i>Poet Lore, The New Leader</i>, <i>Quarterly West</i>, <i>Denver Quarterly,</i> and <i>Pequod</i>. He has contributed the entry on Ernesto Trejo to the <i>Dictionary of Literary Biography Chicano Writers Edition, Second Series</i>. His review of Thomas McGrath<font face="WP TypographicSymbols">'</font>s <i>Selected Poems</i> was anthologized in the <i>Contemporary Literary Criticism Yearbook, # 50,1989</i>. His essay on Charles Wright<font face="WP TypographicSymbols">'</font>s <i>Xionia</i> appears in <i>The Point Where All Things Meet</i>, Ed. Tom Andrews, Field Editions, 1995, and an appreciation of Charles Simic<font face="WP TypographicSymbols">'</font>s <i>The World Doesn<font face="WP TypographicSymbols">'</font>t End</i>, <font face="WP TypographicSymbols">"</font>Sounds That Could Have Been Singing<font face="WP TypographicSymbols">"</font> appears in <i>Charles SimicEssays On The Poetry</i>, Ed. Bruce Weigl, University of Michigan Press, l996. </p> <p>Among other anthologies, Buckley<font face="WP TypographicSymbols">'</font>s work is included in <i>The Best of Crazyhorse</i>, Univ. of Arkansas Press, l990; <i>The Forgotten Language: Contemporary Poets and Nature</i>, Peregrine Smith, 1991; <i>A New Geography of Poets</i>, Univ. of Arkansas Press, 1992; the Bread Loaf anthology,<i> Poems For A Small Planet: Contemporary American Nature Poetry</i>, University Press of New England, l993, <i>Bless Me Father: Stories of Catholic Childhood</i>, Penguin l994, <i>Atomic Ghost: Poets Respond To The Nuclear Age</i>, Coffee House Press, l995; <i>The Great Machines</i>, University of Iowa Press, 1996, Ed. Robert Hedin; <i>The Second Set</i>, Indiana Univ. Press, 1996, Komunyakaa & Feinstein editors;<i> Verse and Universe: Poems About Science and Mathematics</i>, Kurt Brown, Ed., Milkweed Editions, 1998.</p> <p>Buckley has published creative nonfiction in <i>Crazyhorse</i>, <i>Santa Barbara Magazine</i>, <i>The Denver Quarterly</i>, <i>The Poetry Miscellany</i>, <i>Creative Nonfiction</i>, <i>Cimarron Review,</i> <i>The New Press</i>, <i>The Lowell Review</i>, <i>Hubbub</i>, and in the anthologies <i>California Childhood</i>, Creative Art Books, l988, <i>Sarajevo: An Anthology for Bosnian Relief</i>, Elgin Community College, 1993, and <i>Tales of Santa Barbara</i>, John Daniel, 1994. His book of creative nonfiction, <i>Cruising State: Growing Up In Southern California,</i> was published by the University of Nevada Press, 1994.</p> <p>Other awards include a John Atherton Fellowship in Poetry to the Bread Loaf Writers<font face="WP TypographicSymbols">'</font> Conference and an artist<font face="WP TypographicSymbols">'</font>s residency at the Ucross Foundation. In 1996 he read at the Geraldine R. Dodge Poetry Festival in Waterloo, N.J. </p> <p>Growing up in Santa Barbara, California, Christopher Buckley survived Catholic grammar school, high school, and college. He was a surfer and also made his living many summers while in school teaching tennis. His first poetry teachers were Glover Davis and Dennis Saleh, early students of Philip Levine. Later he worked with Diane Wakoski and Peter Everwine. He lives in Lompoc, CA with his wife the painter Nadya Brown.</p> <p><br> <br> </p> </body>